Chilean Chronicles, Part 71: Mario Hernandez and Los Patitos

Mario Hernandez has worked at Los Patitos restaurant since 1969. If you work at a restaurant long enough you become part of the menu.

At least that’s what has happened to Mario Hernandez.

He first started working at Los Patitos, a seafood restaurant in sleepy oceanfront Algarrobo whose name means “the ducklings,” as a 16-year-old.

That was in 1969.

He’s worked there ever since.

Don Mario served thousands and thousands of customers as his three boys grew up and became men.

He waited on Don Pablo Neruda and his third wife Matilde Urrutia. (He said the former’s personality was “special”, while the latter was “normal.”)

He took the order of Socialist President Salvador Allende.

Don Mario served military leaders during the Pinochet dictatorship-a group that he divided in two parts.

The smaller portion consisted of “good” generals like General Oscar Bonilla, who Don Mario said tried to restrain Pinochet’s murderous excesses of Pinochet and died in a mysterious plane crash in 1975.

The larger group were “bad,” he explained, shaking his head with disgust at the memory.

The dictatorship hit Don Mario’s home community hard, he said.

People would disappear in the middle of the night and never return.

Many people.

A climate of fear pervaded.

What was it like to serve people who you knew did these terrible things, I asked?

Don Mario stared.

For a minute, rather than an empty patio, it seemed as if he could see the leaders of the junta who had inflicted such massive damage on the country.

It was work, he said, just a touch of sadness entering his voice.

He worked at Los Patitos in 1988, the year he and Chileans across the country overcame their fear, voted with their hearts and aspirations, and voted No to the dictatorship.

Five years from retirement, Mario looks younger than his 60 years. His face is youthful and unlined. His black hair is a little thin in the back and he’s carrying some extra weight, but his movements are energetic and he smiles easily.

We met on Sunday night, when Dunreith and I were the only customers under the awning outside the restaurant.

We had initially checked the menu, gone to survey other options and returned to Los Patitos when we discovered that nearby Peruvian and Italian restaurants were closed.

It was a little cool on the patio.

Mario took a little while to warm up, too.  When he did, though, the information flowed quickly and freely.

He told us about his three boys, all in their 30s now, and living and working in Santiago. He carefully pulled out the business card for the oldest from his wallet and showed it to us with reverence.

Don Mario talked about being good friends with Manuel Araya, Neruda’s chauffeur whose assertions about the great poet being poisoned have contributed to his body being exhumed.

He’s talked about that for years, Don Mario said. He told me about that for the first time in 1978. Araya said that Don Pablo got an injection in his stomach, which turned red, Don Mario said.

So you believe it? I asked.

It’s the truth, he declared.

Don Mario stood to the side of us, his head jerking regularly as he spoke.

Often he didn’t respond to what I was saying, but kept going with his train of thought.

It wasn’t out of rudeness, but rather as if he didn’t hear me.

He did connect when I mentioned our friend and Chilean guide Alejandra Matus.

Alejandra Matus, he asked, brightening. I know her.

That was a good book, he said, referring to Alejandra’s The Black Book of Chilean Justice, her powerful expose of the Chilean judiciary in the Pinochet era.

The judge’s decision the day after the book’s publication in the spring of 1999 to recall all of the copies and the possibility of her serving 5 years in jail prompted Alejandra to flee the country.

The book was banned, but that didn’t stop Don Mario from getting a copy.

My copy was photocopied in Argentina, he said, smiling. A friend from Santiago got it for him.

I’m not a Communist, but I liked that book, he said, shedding his manner of long-time employee and leaning in close when Dunreith and I stood up to go.

You’re not a Communist, but you like to know the truth, I said.

Don Mario smiled again.

Tell her I sent my greetings, he said.

We shook hands.

His grip wasn’t real firm, but contained genuine enthusiasm.

Dunreith and I exited the patio and started to walk back to Andres’ rustic cottage in the woods.

Mario Hernandez was there, standing vigil over the restaurant where he’s worked so long that his name is a part of its history.

Chilean Chronicles, Part 58: Dreams Made Real Here in Chile

You know that switch that gets flipped every four years right after Labor Day? It's the one in which presidential election campaigns go into overdrive as the voting public turns from the unofficial end of summer to start to turn its attention to the question of who they are going to choose to be their leader.

Apparently the switch has a Chilean cousin, and it just got flipped today.

Hot on the heels of Fiestas Patrias, the weeklong celebration of Chilean Independence, and less than two weeks after the commemoration of the fortieth anniversary of the Pinochet coup, election fever has started to run hot here in Chile.

Before this past weekend, you could see billboard signs of a smiling, blond, bespectacled Michelle Bachelet in the same smile either by herself of with other members of her Nueva Mayoria, or New Majority, slate.

Overnight, they've multiplied faster than any rabbits I've ever seen or heard of.

Michelle signs are literally everywhere.

On the side of roads.

In Parque Forestal.

Next to shops.

The Bachelet materials are the most prominent, but far from the only, sign that the sprint to the November 17 elections have begun in earnest.

And the impending elections are far from the only thing that was on today.

As the television in the Manuel Montt Metro station reminded us, today also marked 40 years since the death of fabled Chilean poet, senator, diplomat and self-described "thinger" Pablo Neruda.

Don Pablo's body was exhumed this spring to discover whether accusations leveled by his former driver Manuel Arayas that he had been poisoned had any merit.

For folk singer Charo Cofre, who along with her husband Hugo Arevalo lived with Neruda for two months in Paris, the answer was simple: he died of a broken heart.

The poet's death came just 12 days after Pinochet came to power and his forces ransacked La Chascona, Neruda's home in the Bellavista neighborhood that borders our community of Providencia.

Neruda left for Isla Negra, his first home and the place where he spent the most time, with his wife Matilde Urrutia.

He never returned.

Although devastated by Allende's overthrow and weakened by advanced prostate cancer, Neruda did muster enough strength to inform the armed forces who were searching Isla Negra: "Look around--there's only one thing of danger for you here--poetry."

Dunreith bought me a book of Neruda's poetry for our anniversary.

I read several gems this morning before breakfast.

One source of particular delight came from The Book of Questions, a collection of 316 questions that he wrote shortly before his death and that was published posthumously.

Here is the English translation of what I read in Spanish:

When does the butterfly read what flies written on its wings?

So it can understand its itinerary, which letters does the bee know?

And with which numbers does the ant subtract its dead soldiers?

What are cyclones called when they stand still?

The campus at the University of Diego Portales was from still this morning when Dunreith and I arrived, but it didn't stay that way for long.

As soon as classes were let out, the din of journalism and literature students returned and energized from their week's vacation filled the air and rose up to the office we share on the sixth floor.

I was there for most of the day grading my students' work.

They had passed in their first major assignment, a 1000-word story, the data they analyzed, the analysis itself, a visual element, and the text of the interviews they conducted.

I also had the students do an assessment of how the process went for them, of what they did well and could improve, and what I had done well and could do better.

This is my first time teaching a Data Journalism course at the university level, and definitely my first class of any sort in Spanish, so I didn't know what to expect.

My uncertainty had been heightened by having received just one paper until 10 minutes before the final deadline.

The students' work impressed and left me feeling that they had indeed understood the essence of what I had been trying to convey.

To be sure, some students didn't hand in all of the required elements.

Many of the stories were heavy on data recitation and light on actual people affected by the issues the students were covering.

The graphics in many cases were quite basic.

But they took on issues that matter like child sexual abuse and voting rates and literacy and teenage pregnancy and the distribution of public money.

They carried out analyses and generated findings.

They reported based on those findings.

And they said something in their pieces.

In so doing, they started to change their orientation of what reporting is from simply asking people on different sides of an issue, "What do you think?" to going to those same people and asking, "Why do the day say this?"

It's a powerful shift, and, even as we're communicating across language and culture and generation and, often, Facebook, it's starting to happen.

That feels good.

So, too, did the feeling of recognition and warmth that you feel when you return to a familiar place in which you've started to build an emotional home, to forge relationships of some substance, to commit yourself and your heart.

I had that this morning when we greeted the security guards, when a tanned, relaxed head of the IT Department told me everything was fine for him until a professor asked him to do a Skype call on September 26-that's the date when Center for Public Integrity Data Editor David Donald is speaking to my students-and when a Spanish exchange student with Italian parents stopped by to see if we could grab a coffee next week.

His request, the signs touting Bachelet's candidacy, the anniversary of Neruda's death and the great poet's questions are not only the trifles that Dickens said make up the sum of life.

Each in their own way remind Dunreith and me that we are in a distant land where we have chosen to spend a significant chunk of time.

They tell us that life in each country has its own rhythm and flow.

They show again that there is something meaningful and real and true that can be communicated through the inevitably imperfect tools of words.

When I dreamed for years of what it would be like to be here, I didn't have a precise image in my head.

Today, when elections are gaining steam and I read the words of a beloved poet who died exactly four decades ago and I see that something central of what I wanted to teach has stuck with my charges, that picture becomes much clearer.

It's here.

Now.

Chilean Chronicles, Part XXXIII: A Grey Neruda Day visiting Isla Negra

“It’s grey, but Neruda loved grey,” friend, intrepid journalist and unfathomably generous host Alejandra Matus told us. “It’s a Neruda day.” She was talking to Jack Fuller, Dunreith and me.

The four of us were sitting in the lobby of the Hotel Plaza San Francisco waiting for University of Diego Portales colleague Patricia Rivera to join us before driving to Isla Negra, Pablo Neruda’s largest home and the place in which he spent by far the most time.

Jack’s the former editor and publisher of the Chicago Tribune, where he won a Pulitzer Prize in 1986 for his editorials on constitutional issues. Alejandra hosted him throughout the week at UDP, a time during which he presented to students, alumni and colleagues about his latest book.

Jack Fuller speaks at the University of Diego Portales.

Although he’s a long-time and accomplished novelist-he told me during the day that he was writing fiction during his training in 1968 in Fort Bragg, North Carolina-his most recent work is about journalism and the challenges that news organization face in trying to retain large number of readers.

Dunreith and I attended his first presentation, an address on Tuesday evening in which he explained the impact of research about brain activity and the critical role emotion plays in attracting and retaining people’s attention.

A central part of his message was that journalists and news outlets need to focus both on retaining standards of journalistic integrity while at the same time integrating new methods based on the knowledge gleaned from the most recent neurological research.

Patricia arrived, we filed into the gray van that matched the day and started the 90-minute ride to Isla Negra.

The Ride and the Black Book of Chilean Justice Relieved of driving and navigational responsibilities, we settled into an easy and amiable conversational flow as we made our way through the rolling green hills.

We moved from the joys and challenge of child rearing in the United States and Chile to Jack’s encounters with some of the more Joseph Heller-like moments while serving as a correspondent in Vietnam in 1968, to my father’s quip, when asked by a colonel why he was wearing his army-issued hat backward, that he wanted people of lower rank to be able to salute him coming and going.

The discussion went in a deeper direction when, at Jack’s request, Alejandra told us the story behind, and the response to, The Black Book of Chilean Justice, her expose of the corruption and lack of independence in the Chilean judiciary during the Pinochet era.

Investigative stalwart Monica Gonzalez invited Alejandra in the early 90s to participate in the project after the publication of a federal report that criticized the judiciary. (Gonzalez, who now directs CIPER, Chile’s strongest investigative publication, later backed out due to other work responsibilities.)

Alejandra smiled as she remembered asking her then-editor for two extra weeks of vacation to write the book.

He laughed, told her to take the two weeks of vacation and then get to work.

It ended up taking six years.

The book’s publication in early 1999 came months after Pinochet’s arrest in London in October 1998.

The timing was such that the book publishers thought that there would not be a strong official response to the book becoming available nine years after Pinochet left power.

They were wrong.

Drastically so.

Judge Rafael Huerta Bustos ordered all copies of the books confiscated the day after it was published. Chief Justice Servando Jordan invoked the State Security Law, which made it a crime to disrespect public officials or governmental agencies. Among other elements in the suit, he cited the book's cover, which showed three monkeys who represented the philosophy of "See-no-evil, hear-no-evil, speak-no-evil."

Alejandra Matus at Charo Cofre's restaurant.

Alejandra faced five years in prison.

Her initial plan was to stay and fight, but three conversations changed her mind.

She spoke with her brother, a lawyer who said she could indeed be imprisoned.

Her publisher said the house couldn’t protect her.

And her fiancé looked terrified.

Instead, Alejandra decided to flee the country as soon as possible.

She flew to Buenos Aires and thought the whole situation would calm down in about 10 days.

She didn’t return to her country for two-and-a-half years.

A lot happened during that time.

Presidential candidate and later victor Ricardo Lagos made the law and Alejandra’s return an issue in his campaign.

Tens of thousands of copies of the book were sold on the black market. La Tercera, Chile’s second-largest newspaper, published the book on its website outside of the United States.

Alejandra won a case she filed against the Chilean state in the Inter-American Commission on Human Rights, and received reparations.

The law eventually was overturned.

This is a remarkable story, Jack said.

Patti agreed, adding that many people in Chile consider Alejandra a hero.

The impact of what Alejandra had shared with us was soaking in when we pulled off the highway and started driving the final kilometers to Isla Negra. Isla Negra

We walked around the property and headed down to the beach.

“I came back from my voyages and navigated constructing happiness,” was carved in Neruda’s distinctive cursive writing into a brown wooden beam holding up the front entrance to the long house that snaked along his property.

Constructing was indeed the perfect word.

Dunreith and I had already seen La Chascona and La Sebastiana, Neruda’s homes in Santiago and Valparaiso, so we were prepared for the way Neruda built a world out of his home, his travels, his politics, his writing, his women, and his friends.

The view of the Pacific Ocean from Pablo Neruda's tomb.

We felt ready to see the fantastic objects like a life-size horse made in part of papier-mache and statues of bare-breasted women that Neruda treated as if they were alive, the secret space of the kitchen, a place Neruda he considered magical, the sacred sanctuary where he wrote, and the items he acquired from all parts of the planet. (This house contains extensive collections of pipes, bottles, sombreros, butterflies and clam shells.)

We were familiar with Neruda’s love of the sea, his penchant for naming houses and friends’ books, and his insistence on a robust and well-stocked bar.

But whereas the other homes had a more vertical feel-they were a minimum of four stories each-Isla Negra was defined by its comparative flatness and its clear and stunning views at nearly all points of the house of Pacific Ocean.

This included the tomb outside where he and Matilde Urrutia, his third and final wife, were buried.

Waves crashed into the rocks in their ceaseless, eternal rhythm, spraying foam high into the air and providing an undulating, calming background accompaniment to their permanent resting place.

[youtube=http://www.youtube.com/watch?v=BTrB2HDydDI&w=420&h=315]

Charo Cofre

It was close to 1:00 p.m., and we were all feeling hungry.

Fortunately, Alejandra had arranged for us to eat at a nearby hostel owned by Chilean acoustic guitar legend Charo Cofre.

She and her husband Hugo were close friends of Neruda who lived with him for two months in Paris.

A gallery of black and white photographs, several of which were autographed by the poet, and nearly of which had relevant quotes from him writing pasted onto them, stood along the walls.

Images of Neruda’s mother, who died shortly after he was born.

Pictures of the artist in exile, looking like an earlier version of James Gandolfini’s Tony Soprano.

A somber shot of the crowd of people, with Hugo identified in the back, who marched to bury Neruda after his death in the first public protest after the coup.

A photograph of his message, written in 1971 in his trademark cursive script, “I am too happy to write. I have to eat and drink with you, dear friends.”

We were the only customers in the house.

Well, besides Don Pablo.

A lifelike model of the poet, dressed smartly in a tweed jacket, a red scarf poking out of his white button-down shirt and one of his many hats, sat in the corner.

Dunreith and Don Pablo.

We all took some pictures next to Neruda, whose fingers moved as if ready to write some more when we started to move away from him.

We started the meal with Chilean standards of a pisco sour and rolls topped with pevre, a salsa equivalent.

Dunreith and I followed Alejandra’s lead and ordered caldillo de congrio, a fish soup that was Neruda’s favorite dish.

We were well into our meal and a few glasses of white wine where Charo came, guitar in hand and sat at the head of the table.

Charo Cofre about to play the guitar.

Her black haired pulled back tightly against her head, Charo was draped in a green shawl that covered most of her body like a cloak. The color of her light-blue flowered shirt matched her eyeshadow.

Although she regularly performs for hundreds, if not thousands of people, today it was just the five of us.

I am doing this for Alejandra, she said.

Charo sang about her country, the sea that Neruda loved so deeply and, in a new song, about her mother’s hands.

Her own hands danced and strummed and plucked as she sang, often with her eyes closed.

[youtube=http://www.youtube.com/watch?v=7rIRIcA2Nb8&w=420&h=315]

In between the songs, she told us about Neruda and Matilde.

People on the left want to say that he was killed by the government, but I think he died of a broken heart, she said. (Neruda passed away just 12 days after the Pinochet coup and subsequent ransacking of La Chascona by military authorities.)

Charo based her opinion on having talked with Matilde regularly in the dozen years after her husband died, a period during which she never mentioned a murder.

Charo told us about shopping at a flea market in Paris for a bottle to add to his collection.

It was no easy task, as he already owned many of the ones they brought to him.

But, eventually, they met with success.

Neruda rewarded himself with an artery-clogging croque monsieur, ham and cheese sandwich that he said had to be kept quiet from Matilde.

Charo also talked about how she learned from the joy her mother took in daily life, in small moments like watching tiny chickens move.

Indeed, she said that she had recently told a very wealthy friend that she felt richer than her because of the way attitude she has toward her life.

After about half an hour of singing and talking and laughing, Charo said she had to go.

Soon, we did, too, to get Jack to the airport. The Return

The ride back to Santiago was slower.

Dunreith closed her eyes in the front.

Dunreith and Patricia Rivera.

I talked mostly in Spanish with Patti, a documentary film maker and a doctoral student who is doing her dissertation about narrative construction in blogs. Jack and Alejandra discussed the 1976 murder by Chilean government officers of former Chilean ambassador to the United States Orlando Letelier.

We dropped Jack at the airport so that he could catch his return flight home before the driver dropped us at the University of Diego Portales.

We went with Alejandra to pick up Alejandro, her five-year-old son, and then to meet her husband Alberto, a former militant and exile who is now a political consultant.

He hugged and his wife and son.

He and his partner were working with Ricardo Yarzo, a candidates for a council position in the upcoming November elections. He’s one of 40 candidates seeking to win the eight positions that are available in Punta Arenas, one of the country’s southern-most communities.

Alberto introduced Alejandra to Ricardo.

Do you know her? he asked quietly, pride seeping through his voice. She wrote the Black Book of Chilean Justice.

Ricardo said that he did.

We downloaded the video I shot of Charo singing, and I showed it to Alberto.

He stopped moving and watched, riveted.

“She is beautiful,” he declared.

Alejandra was right.

It was a grey Neruda day.

And so much more.