Chilean Chronicles, Part XXXIII: A Grey Neruda Day visiting Isla Negra

“It’s grey, but Neruda loved grey,” friend, intrepid journalist and unfathomably generous host Alejandra Matus told us. “It’s a Neruda day.” She was talking to Jack Fuller, Dunreith and me.

The four of us were sitting in the lobby of the Hotel Plaza San Francisco waiting for University of Diego Portales colleague Patricia Rivera to join us before driving to Isla Negra, Pablo Neruda’s largest home and the place in which he spent by far the most time.

Jack’s the former editor and publisher of the Chicago Tribune, where he won a Pulitzer Prize in 1986 for his editorials on constitutional issues. Alejandra hosted him throughout the week at UDP, a time during which he presented to students, alumni and colleagues about his latest book.

Jack Fuller speaks at the University of Diego Portales.

Although he’s a long-time and accomplished novelist-he told me during the day that he was writing fiction during his training in 1968 in Fort Bragg, North Carolina-his most recent work is about journalism and the challenges that news organization face in trying to retain large number of readers.

Dunreith and I attended his first presentation, an address on Tuesday evening in which he explained the impact of research about brain activity and the critical role emotion plays in attracting and retaining people’s attention.

A central part of his message was that journalists and news outlets need to focus both on retaining standards of journalistic integrity while at the same time integrating new methods based on the knowledge gleaned from the most recent neurological research.

Patricia arrived, we filed into the gray van that matched the day and started the 90-minute ride to Isla Negra.

The Ride and the Black Book of Chilean Justice Relieved of driving and navigational responsibilities, we settled into an easy and amiable conversational flow as we made our way through the rolling green hills.

We moved from the joys and challenge of child rearing in the United States and Chile to Jack’s encounters with some of the more Joseph Heller-like moments while serving as a correspondent in Vietnam in 1968, to my father’s quip, when asked by a colonel why he was wearing his army-issued hat backward, that he wanted people of lower rank to be able to salute him coming and going.

The discussion went in a deeper direction when, at Jack’s request, Alejandra told us the story behind, and the response to, The Black Book of Chilean Justice, her expose of the corruption and lack of independence in the Chilean judiciary during the Pinochet era.

Investigative stalwart Monica Gonzalez invited Alejandra in the early 90s to participate in the project after the publication of a federal report that criticized the judiciary. (Gonzalez, who now directs CIPER, Chile’s strongest investigative publication, later backed out due to other work responsibilities.)

Alejandra smiled as she remembered asking her then-editor for two extra weeks of vacation to write the book.

He laughed, told her to take the two weeks of vacation and then get to work.

It ended up taking six years.

The book’s publication in early 1999 came months after Pinochet’s arrest in London in October 1998.

The timing was such that the book publishers thought that there would not be a strong official response to the book becoming available nine years after Pinochet left power.

They were wrong.

Drastically so.

Judge Rafael Huerta Bustos ordered all copies of the books confiscated the day after it was published. Chief Justice Servando Jordan invoked the State Security Law, which made it a crime to disrespect public officials or governmental agencies. Among other elements in the suit, he cited the book's cover, which showed three monkeys who represented the philosophy of "See-no-evil, hear-no-evil, speak-no-evil."

Alejandra Matus at Charo Cofre's restaurant.

Alejandra faced five years in prison.

Her initial plan was to stay and fight, but three conversations changed her mind.

She spoke with her brother, a lawyer who said she could indeed be imprisoned.

Her publisher said the house couldn’t protect her.

And her fiancé looked terrified.

Instead, Alejandra decided to flee the country as soon as possible.

She flew to Buenos Aires and thought the whole situation would calm down in about 10 days.

She didn’t return to her country for two-and-a-half years.

A lot happened during that time.

Presidential candidate and later victor Ricardo Lagos made the law and Alejandra’s return an issue in his campaign.

Tens of thousands of copies of the book were sold on the black market. La Tercera, Chile’s second-largest newspaper, published the book on its website outside of the United States.

Alejandra won a case she filed against the Chilean state in the Inter-American Commission on Human Rights, and received reparations.

The law eventually was overturned.

This is a remarkable story, Jack said.

Patti agreed, adding that many people in Chile consider Alejandra a hero.

The impact of what Alejandra had shared with us was soaking in when we pulled off the highway and started driving the final kilometers to Isla Negra. Isla Negra

We walked around the property and headed down to the beach.

“I came back from my voyages and navigated constructing happiness,” was carved in Neruda’s distinctive cursive writing into a brown wooden beam holding up the front entrance to the long house that snaked along his property.

Constructing was indeed the perfect word.

Dunreith and I had already seen La Chascona and La Sebastiana, Neruda’s homes in Santiago and Valparaiso, so we were prepared for the way Neruda built a world out of his home, his travels, his politics, his writing, his women, and his friends.

The view of the Pacific Ocean from Pablo Neruda's tomb.

We felt ready to see the fantastic objects like a life-size horse made in part of papier-mache and statues of bare-breasted women that Neruda treated as if they were alive, the secret space of the kitchen, a place Neruda he considered magical, the sacred sanctuary where he wrote, and the items he acquired from all parts of the planet. (This house contains extensive collections of pipes, bottles, sombreros, butterflies and clam shells.)

We were familiar with Neruda’s love of the sea, his penchant for naming houses and friends’ books, and his insistence on a robust and well-stocked bar.

But whereas the other homes had a more vertical feel-they were a minimum of four stories each-Isla Negra was defined by its comparative flatness and its clear and stunning views at nearly all points of the house of Pacific Ocean.

This included the tomb outside where he and Matilde Urrutia, his third and final wife, were buried.

Waves crashed into the rocks in their ceaseless, eternal rhythm, spraying foam high into the air and providing an undulating, calming background accompaniment to their permanent resting place.

[youtube=http://www.youtube.com/watch?v=BTrB2HDydDI&w=420&h=315]

Charo Cofre

It was close to 1:00 p.m., and we were all feeling hungry.

Fortunately, Alejandra had arranged for us to eat at a nearby hostel owned by Chilean acoustic guitar legend Charo Cofre.

She and her husband Hugo were close friends of Neruda who lived with him for two months in Paris.

A gallery of black and white photographs, several of which were autographed by the poet, and nearly of which had relevant quotes from him writing pasted onto them, stood along the walls.

Images of Neruda’s mother, who died shortly after he was born.

Pictures of the artist in exile, looking like an earlier version of James Gandolfini’s Tony Soprano.

A somber shot of the crowd of people, with Hugo identified in the back, who marched to bury Neruda after his death in the first public protest after the coup.

A photograph of his message, written in 1971 in his trademark cursive script, “I am too happy to write. I have to eat and drink with you, dear friends.”

We were the only customers in the house.

Well, besides Don Pablo.

A lifelike model of the poet, dressed smartly in a tweed jacket, a red scarf poking out of his white button-down shirt and one of his many hats, sat in the corner.

Dunreith and Don Pablo.

We all took some pictures next to Neruda, whose fingers moved as if ready to write some more when we started to move away from him.

We started the meal with Chilean standards of a pisco sour and rolls topped with pevre, a salsa equivalent.

Dunreith and I followed Alejandra’s lead and ordered caldillo de congrio, a fish soup that was Neruda’s favorite dish.

We were well into our meal and a few glasses of white wine where Charo came, guitar in hand and sat at the head of the table.

Charo Cofre about to play the guitar.

Her black haired pulled back tightly against her head, Charo was draped in a green shawl that covered most of her body like a cloak. The color of her light-blue flowered shirt matched her eyeshadow.

Although she regularly performs for hundreds, if not thousands of people, today it was just the five of us.

I am doing this for Alejandra, she said.

Charo sang about her country, the sea that Neruda loved so deeply and, in a new song, about her mother’s hands.

Her own hands danced and strummed and plucked as she sang, often with her eyes closed.

[youtube=http://www.youtube.com/watch?v=7rIRIcA2Nb8&w=420&h=315]

In between the songs, she told us about Neruda and Matilde.

People on the left want to say that he was killed by the government, but I think he died of a broken heart, she said. (Neruda passed away just 12 days after the Pinochet coup and subsequent ransacking of La Chascona by military authorities.)

Charo based her opinion on having talked with Matilde regularly in the dozen years after her husband died, a period during which she never mentioned a murder.

Charo told us about shopping at a flea market in Paris for a bottle to add to his collection.

It was no easy task, as he already owned many of the ones they brought to him.

But, eventually, they met with success.

Neruda rewarded himself with an artery-clogging croque monsieur, ham and cheese sandwich that he said had to be kept quiet from Matilde.

Charo also talked about how she learned from the joy her mother took in daily life, in small moments like watching tiny chickens move.

Indeed, she said that she had recently told a very wealthy friend that she felt richer than her because of the way attitude she has toward her life.

After about half an hour of singing and talking and laughing, Charo said she had to go.

Soon, we did, too, to get Jack to the airport. The Return

The ride back to Santiago was slower.

Dunreith closed her eyes in the front.

Dunreith and Patricia Rivera.

I talked mostly in Spanish with Patti, a documentary film maker and a doctoral student who is doing her dissertation about narrative construction in blogs. Jack and Alejandra discussed the 1976 murder by Chilean government officers of former Chilean ambassador to the United States Orlando Letelier.

We dropped Jack at the airport so that he could catch his return flight home before the driver dropped us at the University of Diego Portales.

We went with Alejandra to pick up Alejandro, her five-year-old son, and then to meet her husband Alberto, a former militant and exile who is now a political consultant.

He hugged and his wife and son.

He and his partner were working with Ricardo Yarzo, a candidates for a council position in the upcoming November elections. He’s one of 40 candidates seeking to win the eight positions that are available in Punta Arenas, one of the country’s southern-most communities.

Alberto introduced Alejandra to Ricardo.

Do you know her? he asked quietly, pride seeping through his voice. She wrote the Black Book of Chilean Justice.

Ricardo said that he did.

We downloaded the video I shot of Charo singing, and I showed it to Alberto.

He stopped moving and watched, riveted.

“She is beautiful,” he declared.

Alejandra was right.

It was a grey Neruda day.

And so much more.

Chilean Chronicles, Part XI: The Colors of Valparaiso

Valparaiso explodes in brilliant, luminous, and pastel colors everywhere you turn.The buildings. Typical colors for Valparaiso homes. The worker’s clothes. The street art. The garage doors. Art on the garage door. The skyline as the sun falls in the late afternoon. The murals and graffiti that seem to spring up, like roots through concrete, throughout the seaport city that has been a harbor for centuries. One of many murals throughout the city. Even the dogs. The city that seems like a cross between the hilly, twisting streets of San Francisco and ocean view of Haifa, Israel was the first place we visited outside of the Santiago area. It’s got a gritty side, to be sure. Scores of abandoned dogs leave their droppings everywhere in the city. We saw two dogs feasting on rotted meat they had ripped open from garbage bags. And when Dunreith and I asked them about where to get an empanada, a pair of adolescent girls told us that an area where we had planned to go was “Super peligro.” Super dangerous. But, still, those colors. We arrived around noon. After an engaging conversation with yet another of Marjorie Agosin’s seemingly unending stream of cousins, it was approaching two o’clock and we hadn’t eaten lunch. We walked up a street that, like many in Valparaiso, wound around, rather than going in a straight line, to Almacen Nacional, a restaurant recommended by the Ibis hotel at which we were staying and a place where we received a 10 percent discount. More colors. From the bright blue painting on the wall of a couple in bed, to the bar, which was a symphony in muted tones, to the green zucchini soup topped with a slice of the vegetable, to the flaming red hair of the woman at the table next to us to the pink lipstick our waitress wore. The bar at restaurant Almacen Nacional. We had a meal with service that could charitably be called relaxed, then ambled around Avenida Alemania, or Germany, taking in panoramic views of the harbor until we arrived at La Sebastiana, the second of fabled poet Pablo Neruda’s homes we’ve seen since arriving here 15 days ago. The information in the audio guide was sparse compared with the rich descriptions we had received from Alejandra Fritz at La Chascona, Neruda’s home in Santiago’s Bella Vista neighborhood. Nevertheless, the house inspired a similar, if deeper yet slightly emotionally subdued, understanding not just of Neruda’s fantastic life, but his incessant capacity for creativity. This sensibility manifested itself in his inventing names for his houses, in the pieces of furniture like the fireplace he designed for La Sebastiana, in the deliberate placement of the items he collected from every conceivable corner of the world, and in the disguises, sometimes multiple in the same evening, that he would don as he served drinks in the treasured spot behind the bar in which only he could stand. Indeed, the poet’s attitude toward his house, which he considered a toy in which he liked to play all day long, was a reflection of a desire for endless invention. A chronology filled with black and white photos and text stretched across a half dozen poster boards on the first floor and helped flesh out the central passions and key moments in Neruda’s life. These included early pictures when he was young and had a full head of hair, shots of him with the full beard he grew when he was “clandestino,” or hidden, and images of him delivering “Yo acuso,” the memorable speech he gave in 1948 in which he channeled Emile Zola and denounced the state's repressive, anticommunist actions. The audio, the pictures and the home itself all reinforced Neruda’s visceral connection to the Chilean people, both in his description of his daily work-I am not different than the laborer who works with bricks, he said. I just work with words-and in his statement that he was another branch of the great human tree. The sun started to make its inexorable descent. Sunset in Valparaiso. Dunreith suggested that we go back in a more direct way that took us down uneven stairs, through little traveled pathways and past a mother kneeling to tie her son’s sneakers and dusty workers standing wearily on the front steps of their homes. A trio of young men whose picture I had taken on the way down thanked me. One thrust an open beer toward me and asked me if I wanted it. I’m with my woman, I said pointing to Dunreith, who had walked ahead, as she often does when I am using the camera. But if not, then yes. We laughed. Coca Cola? Another asked as I moved past them. We all laughed again. A street lamp and telephone wire framed the streaks of pink that poked over the top of the buildings before the sun disappeared for the evening. We continued walking through a dicey area, drawn through it by the insistent thumping of bass drums. A crowd had gathered in a town square to hear a local youth band perform. Five girls shimmied provocatively in the front row. The band leader with his arms aloft. The yellow-shirted leader in the middle of the group raised his arms as if in victory. Everyone in the band shouted, “Val-pa-ra-i-so!” The crowd burst into applause and started to disperse into the darkness of the night that enveloped the city like a glove.

Dunreith found a supermarket, where we bought fruit and red wine to keep alive our streak of drinking every night in Chile. She stopped on the street near the hotel to buy a colorful assortment of mints and jellied candies. Drink, dessert and rest, if not dinner, awaited, just hundreds of yards away. Dunreith after purchasing dessert.