Chilean Chronicles, Part 100: The Joy and Honor of Working with Jon Lowenstein

My brother and ace photographer Jon Lowenstein in action.  Working with him here in Chile was a fantastic experience. Our time in Chile has been an extraordinary and expansive time for many reasons.

Dunreith and I have been animated by a sense of adventure that’s been heightened by having sold our house the day before we flew to Santiago.

We’ve been treated with enormous and continuous generosity by colleagues, students, taxi drivers, and Chileans of all stripes, ages, classes and political backgrounds.

We’ve had the chance to travel within and outside the country to places that in some cases we had dream of going for years, even decades.

We’ve also had a heavy dose of family.

We flew to Buenos Aires to meet Dad and his partner Lee for five days before their two-week cruise in Argentina and Chile.

We’re about three weeks into a more than month-long stay with Aidan, who’s fresh off a fantastic semester of study and travel in New Zealand.

We also had my brother Jon here for two work-filled weeks.

Jon likely would have come here to visit us anyway, and having a professional purpose clinched his decision.

That came in the form of our successful application to the Pulitzer Center on Crisis Reporting. We put in a proposal that said we would do a three-part series for the The New Yorker’s Photo Blog, a similar project for Vivelohoy, and a number of blog posts for a combination of the Huffington Post, the Ochberg Society, Hoy and my personal blog.

Jon and I have collaborated before.

We’ve covered police brutality on Chicago’s South Side.

We participated in a fellowship where we did a project about the experience of undocumented Latino migrants who become disabled on the job. (This was the one for which I taught myself Spanish.)

We’ve traveled to the far reaches of Northern South Africa to cover life in a rural community there and the efforts of Evanston resident Ann Covode to bring a library and other educational support to the children in the community.

It was during this project that, after a formal ceremony and introduction, one of the teachers told us in front of the staff that they had prepared a delicacy for us to eat: a cow’s hoof.

Last year we flew to Dad’s hometown to photograph and write about his return there for the first time in 73 years.

These have all been remarkable experiences, and the work we did in Chile was our most ambitious yet.

Over the course of a series of conversations, we defined our scope.

We would look at Chile’s past, present and future 40 years after the Pinochet coup.

The past would involve going to memory sites like the Museum of Memory and Human Rights and Villa Grimaldi, interviewing survivors and activists who had lived through the time like Ana Gonzalez, a feisty 87-year-old with bright red fingernails whose husband, two of her sons and a pregnant daughter-in-law were murdered by the government during the dictatorship, and talking with memory scholars like friend Hugo Rojas.

The present consisted of covering the first round of elections that pitted nine presidential candidates against each other, including frontrunner and former president Michelle Bachelet of the Nueva Mayoria, or New Majority, and childhood friend Evelyn Matthi of the conservative Independent Democratic Union.

And the future including talking with young, digitally-savvy Chileans who grew up during and after the dictatorship and who are working to improve the country.

People like Jaime Parada, the son of Pinochetistas whose parents joined neighbors on the street in weeping the night in October 1988 that Pinochet lost the plebiscite that would have kept him in power.

Last year Jaime became the first openly gay public official in Chilean history when he won a Councilman position in the wealthy, politically conservative Providencia neighborhood. Since his election he’s worked with reform Mayor Josefa Errazuriz to push for, and win, a battle to change the name of one of the community’s major streets from Avenida 11 de Septiembre, a name that honored the Pinochet coup, to Nueva Providencia, or New Providencia.

People like the light-blue shirted volunteers of TECHO, a non-profit group founded in 1997 by Father Felipe Berrios and some young Chileans to help individuals and communities fight poverty. Since its inception TECHO has evolved from doing construction work to a more ongoing and holistic approach in which they work with community members to diagnose, and then set a plan to meet, the community’s needs.

Together we went to a campamento, or shantytown, in the La Florida neighborhood that cropped up after powerful floods devastated the area in 1997. The volunteers there were in the process of setting up a community center; other campamentos with a TECHO presence have tutoring programs, a library and micro-enterprise stores.

Being able to do work that you love is a tremendous gift.

Doing that work with one of your brothers for one of the world’s top magazines is even greater.

Indeed, many of the day that Jon was here, before I left the apartment, I’d say to Dunreith, “I’m going over to Jon’s apartment. We’re on assignment for The New Yorker.”

And a riveting assignment it was.

Together Jon and I went to Algarrobo to interview Hernan Gutierrez, who was 13 years old when he witnessed decapitated bodies floating down the Mapocho River shortly after the coup.

We spoke with Mario Hernandez, who told us about waiting on Salvador Allende and Pablo Neruda as well as serving high-ranking members of the dictatorship.

We went to Villa Grimaldi and spoke with Carlos Contreras, who still had the chess board he made out of cardboard to play with fellow inmates when they were detained in 1974.

We attended the end of campaign event for presidential frontrunner Michelle Bachelet, listened to her race through her speech and met former President Ricardo Lagos.

I shook his hand and told him that I had seen his finger years earlier. (His finger-wagging calling out of Pinochet was seen by many as a critical moment in the “No” campaign.)

We went together to the Open Mind Fest that was sponsored by MOVILH, one of the nation’s leading gay and lesbian activist groups, that stretched across four city blocks. Jon shot picture after picture of the drag queens who were the unofficial stars of the event, of young lesbian couples holding hands and of the youth dancing and swaying and vibing at the four stages set up along Paseo Bulnes.

Jaime Parada told us that MOVILH held the event near the presidential palace and congressional offices to remind politicians of the community’s clout.

The message appeared to be heeded, as five of the nine presidential candidates attended the event.

Beyond all that we did, the project was a chance to learn from Jon, who is one of the planet’s top photographers.

He shoots and shoots and shoots, getting closer and closer to the action, swerving as he identifies an opportunity to make a picture, letting the place speak to him, always thinking about how he can be do better.

Jon’s been shooting seriously for more than 20 years, and continues to expand his skill and scope. His passion for photography, storytelling and documenting what’s happening in the world remains undimmed. If anything, it’s only grown stronger with the passage of time, clarity of vision and commitment to his craft.

We didn't only work.

Together with Dunreith, Dad and Lee, we'd have lengthy dinners topped off by nightly servings of ice cream. We'd carve out space to laugh about family stories and discuss the latest developments in the NBA.

I don't want to suggest that the collaboration was easy at every moment.

It never is with two strong-willed people, let alone two brothers with more than four decades of history.

And there’s no doubt in my heart and head that working with Jon was a joy and an honor, and something I’ll remember for as long as I can remember.

Living in Chile has been magnificent, and the project with my brother is a big part of it.

I can’t wait for the next one.

Chilean Chronicles, Part 63: Rafael Gumucio's Book Launch

Rafael Gumucio's latest book. Now that's what I call a book launch.

The event was held in the basement of the Gabriela Mistral Center, or GAM. Named for one of Chile's two Nobel Prize-winning poets, the center was opened during the tenure of Salvador Allende, and was the place where the ruling junta went after the Pinochet coup. The center was renamed the Diego Portales Building during the dictatorship, but resumed its art-oriented focus after Pinochet's reign ended.

As opposed to similar events in the United States, where the author is introduced, speaks, reads a few sections of the book and answers some questions, author, UDP neighbor and friend Rafael Gumucio didn't speak until an hour into the event, and ultimately did not read a single word from A Personal History of Chile, his latest work.

This was because he only spoke after Carlos Pena, the rector of our university and one of Chile's top newspaper columnists, had read his remarks in which he discussed Rafael's weaving of fantastic pairings of important figures in Chilean history as similar to legendary Argentine author Jorge Luis Borges' "Ficciones."

Rafael began to speak after eminent historian Gabriel Salazar, a long-haired, white-haired bearded man with a deep voice who speaks in paragraphs, not sentences, had discussed at length a 1998 United Nations human development report that spoke about the contrast between Chile's economic success and "malestar interior," or internal discomfort.

Gabriel Salazar speaks about Rafael Gumucio's latest book at the GAM. Salazar talked about the directions and reversals within the book, of his use of the Hegelian method of thesis-antithesis-synthesis, and of how, for Rafael, former President Ricardo Lagos was similar to Napoleon for Hegel.

Rafael offered his own comments after former student, humorist and writer Fabrizio Copano offered his assessment of the book as having a core of sadness yet also being an optimistic work.

He spoke after being invited into the conversation by broadcast journalist and longtime friend Consuelo Saavedra. Consuelo had said that they had known each other for about 20 years, and somehow the conversation always returned to him. But she added that the book helped her understand why he has always steered the discussion that way.

When he spoke, Rafael, who has wild black hair, a full beard that is flecked with grey near his chin and was wearing a blue jacket with a dark sweater, unleashed a torrent of words, ideas and jokes.

I don't know Rafael real well and I have not yet read the book.

Our offices in the journalism department at the University of Diego Portales stand around the corner from each other.

I sat in on a panel he moderated about the role and limits of humor in Chilean society-he's the head of the Institute of Humor Studies at UDP-and we both attended a lunch for author and futurist Nicco Mele that Alejandra Matus organized.

I did know that he had been exiled to France during the dictatorship.

But even these comparatively meager interactions were enough to help me understand that he combines the frenetic energy and wit of Robin Williams with the humor of Roberto Benigni.

[youtube=http://www.youtube.com/watch?v=nIWB-Neyj-c&w=420&h=315]

As Rafael riffed about his pairing of epic Chilean figures like Pinochet and television host Don Francisco, about how he had thought Lagos would govern compared with what he actually did and about how Michelle Bachelet would like to be anti-colonial, but is in fact colonial, I turned around and looked at the room, which was filled with close to 100 people in seats and standing against the back wall.

They were listening and, in many cases, they were smiling a pleased, even indulgent, smile.

So, too, was Rafael's father, whose name Rafael bears.

The elder Gumucio was sitting, along with his wife, daughter-in-law and other family members, in a section of chairs to his son's right.

As he spoke, Rafael's younger daughter, a binky in her mouth and pigtails on her head, moved back and forth from her grandfather to her father's lap.

Rafael Gumucio's father with the author's youngest daughter.

She stayed just long enough to crawl up, get a hug and then return to her grandfather.

Back and forth she went, sometimes crawling when her father was speaking, at other times when he was listening to the other panelists.

The conversation dipped and turned, ebbed and flowed back and forth among the panelists and the author and moderator, moving deep into the nature of history and social movements and the country's real and imagined past.

Rafael Gumucio with his younger daughter at the GAM.

Consuelo was just asking Rafael one of many questions she still had when the word came that the time for the program had ended.

No one had left.

We all repaired to the area outside the room, where Rafael signed books and talked with people as the rest of us dolloped corn kernels onto sopaipillas, picked up and munched on eggplants on crunchy bread, and, of course, drank some red wine.

After a while, I hugged and congratulated Rafael before walking out into the cool night to head onto the Metro and back to Dunreith.

As I walked, I realized anew that Chile is a still wounded country engaged in healing from the damage caused by the the physical pain and enforced silence of the dictatorship.

Humor is an important part of that process.

I thought about the gift that Rafael has given of of embracing and moving into the intersection of personal history with public experience, and of launching the book in the very building where those most responsible for that damage first announced their seizure of power.

And, once more, I appreciated my great fortune to be in Chile at this moment in its history, and to be a witness to an event where university presidents and scholars and humorists and friends and family can sit and talk and listen and laugh in a way that would have been unimaginable just a generation ago.